16 April 2013

Library Groundbreaking Ceremony & Corporate Identity Logo Oversight

Quarter page event invitation.
One of our newest library branches celebrated with a groundbreaking event in March. Cone Park Branch library is just over a year old and has been housed in a mobile home-like unit until its permanent building is constructed. The groundbreaking event marked the beginning of the next phase in its branch history. 

Event program front / back.

To help promote the event, I was asked to design an invitation, program, and web banner. When the branch library was first opened in 2011, I designed grand opening promotional materials that coupled the image of a rainbow with a architectural blueprint and drafting materials to support a theme of "Building the Dream" ( http://librarygraphicdesign.blogspot.com/2011/12/cone-park-library-branch-grand-opening.html ). For this new groundbreaking ceremony, I extended that reference further by using the same rainbow integrated into the a shovel's handle. I also used a strong, cheerful orange background to relate to other recently developed marketing materials (welcome brochure http://librarygraphicdesign.blogspot.com/2012/08/the-evolution-of-library-welcome.html , library employee recruitment posters http://librarygraphicdesign.blogspot.com/2012/10/four-posters-derived-from-welcome.htmland presentation folder http://librarygraphicdesign.blogspot.com/2013/03/library-presentation-pocket-folder.html ).


Event sign and detail view.
After the event, I received photos to post to the library Flickr account (www.flickr.com/acld). I was shocked and dismayed to see a large sign with a logo (aka "brandmark") on it that had been created for the event. The sign used the library's logo...or rather I should say part of the logo correctly and another part incorrectly. I wondered how this could be. Did someone send the sign fabricator the brandmark exactly as it appeared on the sign or perhaps only the book portion of the mark was sent, leaving the sign fabricator to recreate the typography? Either way, what resulted was simply wrong. Worse yet, how is it that nobody noticed except for me?

Our library has two main versions of its brandmark, a book that can be used alone or in combination with its library descriptor ("Alachua County Library District") centered underneath the book. An alternate brandmark displays the book to the left with the library name flush to the right in two lines with a tagline hanging to the right below the library name. Those are the two main "lock-ups" of how the text and book image are to appear. The only variations to those marks are to change the colours to full black, full white, or full blue. The mark on the event sign used incorrect fonts, font sizes and font colours. It also presented a bastardized arrangement of the two different mark lock-ups. I was none too happy about it. After all, how could the library not get its own logo correct?  

You would be surprised at how often this happens in the semi-corporate world where employees aren't adequately trained to embody, reinforce, or even advocate for "the brand" of their organization. Some organizations are good at it; most are not. As an extension to this kind of training, the same is true even for the use of the organization's visual identity. 

In Journalism 101 one of very the first "golden rules" students are taught is that the worst mistake you can ever make as a journalist is to incorrectly spell a person's name (plagiarism no doubt leads the list of worst offenses). There are similar "golden rules" to follow in other industries. In the design profession, an equivalent rule is to not bastardize a company's corporate visual identity brandmark unless doing so is considered allowable within the corporate identity standards policy.

A good thing (if one can presume to adequately leverage that sentiment in their favour) is that if the logo isn't bastardized too much it will most likely still be recognizable to a familiar, yet otherwise clueless public. The flip side of that oversight, however, is that if the company's own people can't recognize that mistake, then the situation should be incredibly disconcerting.

I share that sentiment because the people who work for a company and are most likely to see its brandmark every day and should be the ones who would most easily recognize whether or not it is correct or not. Not only that, but they should also be the very same people who should help by being brand advocates for its proper usage. As a maker of corporate identity standards and the guidelines that establish best practices for the usage of a brandmark, of course I understand that I'm in one of the best positions to realise the good and bad points of a visual mark, of its technical and aesthetic limitations, and of its misuse. I can also appreciate that others wouldn't be as knowledgeable or keen to observe these finer details. But there are certain changes to a brandmark that should be glaringly obvious.

So on occasion I find myself in the role of "brand identity advocate." Whenever I see the visual identity of my library has been used incorrectly, I search out the offending party to inform them that they have incorrectly used it. More often than not, the offending party had no idea the brandmark was used improperly. If they had, or if they had been more sensitive to its use, they most likely wouldn't have used it incorrectly. I inquire about how the improper use happened in order to understand how we can work toward averting the same scenario from happening in the future. 

Through what advocacy I can offer, I hope to educate staff on the proper manner of using our library's corporate identity system consistency so the integrity of the brandmark will remain uncompromised and better able to ensure public recognition. It may not mean much to others, but it means something to me. Proper brandmark usage; you might say that I'm building a dream of my own.

Library Volunteer Appreciation Luncheon Invitation & Program Designs...Serving Up a Second Helping

Guitar invitation front and back.

Our library really appreciates its library volunteers. Every year, somewhere between 300 and 2500 individuals (depending on how you calculate it) selflessly provide an incredible amount of assistance in hours and effort to extend the library's operational service. Because of this, the library likes to invite volunteers to enjoy an annual luncheon together.

This year, the event planning committee selected a Brazilian guitarist to be featured at the event. From the design side, invitation concepts were designed, approved, printed, and in hand to mail out; program designs were also well into development and on schedule for completion. 


Guitar program / CD insert cover exterior (folds).
Then plans changed. The guitarist was out, and a new, more generic theme based on "the gift of time" was mandated. A scramble ensued to get a replacement speaker, develop a new invitation design concept, then print and deliver to the invitees in as little-past-deadline as possible. There's nothing quite like a change of plans after a significant amount of work has already been done to make things exciting, is there? Well, these things happen on occasion, so you just have to roll with it and hope things will work out better next time around.
Guitar program / CD insert cover interior (when opened).

So, what started out as one design concept for a volunteer appreciation luncheon, turned into two. And why not? We can say that our library loves our volunteers twice as much. Well, almost. We'll give them face time but not Brazilian music.
Clock invitation front and back.

Both designs utilized domain free photography which I modified to suit the theme. The guitar image colour was intensified by saturating it in Photoshop; text, a library logo, music note clip art, and additional photo images of utensils were added to make the guitar opening look like a table place setting. For the blue clock, its hands were topped off with the very same fork and spoon images used from the guitar concept to equally give reference to the meal aspect of the event. The final blue clock image was selected from a total of 24 preliminary designs urgently created within a few hours after the announcement that plans had changed from one theme to another.

The initial guitar concept included quarter page invitations and a program that would double as an insert into a music CD case which would also include a music CD from the guitarist. Opening the case would display the program event schedule on the flip side of that outer-facing guitar image cover. Pulling the insert out and opening it would then reveal names of all the companies that donated gifts to be raffled away to lucky prize winners at the luncheon. The music CD was going to look pretty cool. But I regress on the magnificence of what could have been.


Clock program front and back.
By comparison, the clock concept version utilized a simple front and back quarter page design for invitations, half page design for the program. Table markers based on the design were also made, folding an 8-1/2 x 11 inch sheet into a tall, 11 inch triangle pylon and set upright on tables to indicate seating table seating assignments. It wasn't nearly as exciting as the guitar concept, but hey, by then it was all about getting things done in time which I'm sure everyone appreciated.

TOTAL ITEMS:
300 Guitar Invitations (unused)
300 Clock Invitations
200 Clock Programs
24 Table Markers

09 April 2013

Library Newsletter, THINK... Spring 2013


Television PSA announces the current edition of THINK...

The library's free Spring newsletter issue of THINK... arrived in April. This issue covers current news and over 800 scheduled events from April through June. 

The print edition of 2,500 copies is delivered not only to all library branch locations but also to select non-library businesses to extend its reach further into the community. Online copies are also available on the library's website at, http://aclib.us/news. 

This issue's visual theme makes use of the state of Florida's state flag emblem and colour scheme. It compliments a nearly year-long tourism marketing campaign by the state of Florida called "Viva Florida 500" which celebrates and promotes the state's history. Our library is participating with events of its own that features Florida history topics as well as other more contemporary interests.