Showing posts with label calendar. Show all posts
Showing posts with label calendar. Show all posts

04 March 2016

The Evolution of a Library Newsletter (or Program Guide) Redesign

A progression of redesigned covers and calendar pages demonstrates an exploration of solutions.

The Alachua County Library District’s quarterly newsletter, THINK..., has been in circulation since Spring 2010. In Autumn 2010, I redesigned it after I arrived as the library district’s marketing designer. Since then, THINK... has received many nods of appreciation from readers, staff, and has even been awarded two national PRxchange awards (2014 and 2015) from the American Library Association for excellence in marketing design. 

Despite its successes, THINK... didn’t include everything that some library patrons and staff wanted to see in their newsletter. With that in mind, the library formed a small committee of staff members in January 2014 to explore what those interests might be and then developed a wish list of things they would like to see included, or removed, in a potential redesign of the publication. Their list of interests became a working design brief that would provide me with a direction for exploring and developing information presentation solutions for the quarterly newsletter. 

The process would entail me designing a set of sample pages to demonstrate what the committee's essential interests might look like, which would in turn demonstrate what those solutions would require in terms of document format, potential page count, and projected materials and printing costs. After my delivery of those samples, I'd wait six months for the committee to find time to meet again to discuss those prototype pages before reverting back to me with their feedback. Then we'd repeat the process again...for what would become the next two years.

If this seems like a long time to develop a simple newsletter, well, of course it is. But don't be surprised; this timeline reflected the level of priority it had relative to a continuing march of other incoming projects with earlier deadlines that required more immediate attention and urgency. Also, by its own nature, design-by-committees are rarely a speedy process, nor ones that result in a fulfilling final outcome for everyone involved. To complete the often  paraphrased line: "when too many cooks are in the kitchen...," things get messy. For starters, just getting multiple people together for a meeting can be a scheduling challenge all by itself. Then, competing agendas among committee members often take time to be debated, re-debated, negotiated, and moderated. Hazily envisioned fantasies of "what could be" must also meet with real-world practical, technical, process, and financial realities. It just takes time to get everyone to come to terms with what is logistically possible using the resources that are available. "Thinking big" and pressing beyond initial expectations in hope of discovering greater opportunities and value is definitely encouraged, but after all the ideation takes place, every project has to eventually surrender to what is actually accomplishable.
 

So, to begin the redesign, lets first look at what the existing 12-page, 8.5x11 inch semi-gloss newsletter already provided for the 12-branch library system: 

> 6 pages of program event listings  
> 4-2/3 pages of program event and other topical library district news stories 
> 1/3 page of indicia 
> 1 cover page, usually focusing on one highlighted event

The new design brief wanted to develop solutions for the following interests:

1 > The emphasis for the publication should focus primarily on program listings and less on news coverage.


2 > Display all 12-branch program events in a visual calendar format for Children, Teen, and Adult age groups. 

For a quarterly publication, this meant using three monthly calendars that contained all branch libraries and age groups combined together with some way to differentiate between them, such as using colour coded text or icons. But with over 350-370 program events held each quarter, it was unlikely that the individual squares for each calendar day would be able to always accommodate the mention of every single event on only three calendars—unless the page size was incredibly big.
 
An alternative solution would be to use three different monthly calendars for each age group, meaning three for Children, three for Teens, and three for Adults. This solution would require between 9 to 18 pages alone. And if the information still couldn’t fit, another solution would have to be provided.


3 > Provide a list of all the same program events as listed on the calendars, but using a text format that also included complete descriptions of all the programs. In other words, include event name, date, time, location, targeted ages, and the program description for each and every one of the programs taking place during the three month time period. 

Again, considering the 12 branches collectively held around 350-370 events or more per quarter—with a push to continually increase the number
for programs that had widely inconsistent, variable description lengths, it would be difficult to accurately predict the number of pages required quarter-by-quarter. Nevertheless, using a text sample from one recent quarter of events to create a sample spread, I could guesstimate it might require approximately three to four pages per age group, not including any visuals. All told, we’d be looking at a total of approximately nine to twelve pages of plain text program listings with descriptions to fulfill this portion of the committee request.

4 > The cover should emphasize the words “library” (to make it clear that it was a library publication), and “program guide” (to make it clear that it was a programming guide and not something else—like, a "newsletter"). The library corporate identity (logo) should appear on the cover as well. Options for teasing to more than only one event should also be explored.

5 > Publication indicia should continue to be displayed in order to recognize the funding partner, key board and administrative members, and publication contact information.

6 > Library branch hours of operation, phone contact information, and social media icons should continue to be displayed. Physical branch library addresses should be added to this information in the redesign. 

7 > Production budget should remain the same or as close to the same as possible. This would require the page count to remain at or nearly the same, paper weights to be the same or thinner, and/or change from printing the newsletter as a four colour publication to one of only one or two colours.

8 > Printed quantities should remain the same, or, increase to include a wider audience distribution, or, decrease to reduce production budget—the direction depending on whom you talked to and when.

Well, that wasn't too much to ask for! Looking back on the requirements, I could see we were already talking about a document requiring 22-34 pages. And since sheets of paper are folded to become two-sided printed pages, that meant 24 or 36 pages would actually be needed in order to accommodate those requirements. Already, the production budget reality was going to be at odds with the wish list right out of the gate. Nevertheless, I’d still have to go through the effort of creating design solutions in order to provide evidence to support that conclusion, because sometimes telling people that things won’t work as they imagined simply isn’t good enough. You have to actually show them to prove it.

The first thing I wanted to tackle was to seek design solutions that incorporated as many of the most essential requests as possible. Since the focus was first and foremost on displaying programs in text list and calendar formats, that’s where I began my quest, using a three-month supply of raw text from our most recently printed issue.


Prototype one explored calendar and listing spreads, plus two cover variations.

PROTOTYPE 1:
I could already tell there was no possibility of successfully displaying the programs of all 12 branch libraries and three age groups combined together
on only three 8.5x11 inch page calendars, so I went directly to developing a two-page calendar spread to see how many event listings could fit into a single weekday square. After sorting through the raw text list, pasting events into their respective days of the month and styling the text, the most I could fit into a single day square at eight-point text size was 11 lines. The remaining overset text I relocated into empty calendar squares in order to not leave out any information. But having to look for that information away from the date it was scheduled was awkward and still didn't guarantee that all future text lengths could be accommodated. In an effort to see if I could get all text to fit into another arrangement, I rotated the orientation of the publication to become a vertical format and recreated the calendar to be tall and narrow. But you know what? No matter if day squares were short and fat or tall and narrow, they would still only offer the same total space for the same text to fit into them, so the end result was essentially the same.

What's more, eight-point
calendar text size would be too small for many readers. At least one senior patron had already complained in the past that our usual 10-point newsletter text was too difficult to read. To enlarge text so it could be more easily read would mean either fewer events could be listed in each daily square, or, a larger format and/or more pages would have to be added to accommodate a larger point size of the same text. This would immediately fail the primary objective of listing ALL events and/or not significantly increasing the budget. 

During this initial stage of exploring calendar page design solutions, I also designed a sample spread to show how program text listings with complete descriptions could look with additional boxed text/image options for highlighting individual programs. Knowing full well that it would be an unpopular solution, I also designed a single-page sample showing a text treatment solution displaying program listings that did not include their
descriptive text. I also provided two design solutions for new cover treatments that changed the publication name from “THINK...” to “Library” and included the wording “program guide” of sufficient size to be emphasized but not overpower the actual publication name itself.
 

Prototype 2: Poster.
PROTOTYPE 2: 
Still wrangling with the issue of how to display three months worth of program descriptive language without adding additional paper and costs, I explored another option: placing all the program text—including descriptions—onto a poster format. Each of the three age groups would have their three-month's worth of program text listings displayed on one side, along with one of three monthly calendars. On the back side, the second and third calendars would be displayed. Using this method, I could display the entire text listings for each of the age groups, but only three calendars for one of the age groups—and not even all four weeks of the calendars could be squeezed in due to the event lengths. I could conceivably use a second sheet of paper to display the other two age group calendars and some news on its reverse side, but I already knew that the poster option wasn’t going to be an approved solution. For one reason, pieces of paper folded together would become too bulky and even confusing about how to unfold/refold the document. Who among us hasn't wadded up a map in utter frustration after a few attempts at getting it right? That surely wasn't the kind of user experience I wanted. The other reason why I knew the solution wouldn't work was because when I asked my printer what the largest size of paper was they could print on, I was told it was 22x24 inches. My poster size required 36x36 inches. The nearest printing facilities that could print on that size of paper would be out-of-state in bigger printing markets such as Chicago, New York or other distant locations like Hong Kong and Singapore. Again, the logistics of materials, printing, and even shipping costs became a negative factor in this solution.

Prototype 3: Fold-out version.
PROTOTYPE 3:
I went back to my original 8.5x11 inch format newsletter. I worked up a new solution based on my first design, but I expanded the depth of the two-page calendar spreads to become 20 inches. This extra length beyond the 11 inch publication height would fold up into the publication when it was closed. Maintaining an 8.5x11 inch standard format would also ensure it could conveniently be shelved, filed, or stored. The unique feature of this solution allowed calendars to be removed from the publication for posting elsewhere (walls, refrigerator doors, etc.). The back side of the closed flap could be used to contain promotional
advertisements, news articles, more of the program listings that begun on their preceding pages, or even have it contained to that available space. At least with this solution I could ensure that all the programs were displayed on the calendar—up to a certain line count, of course. Exceeding that, we’d be back to the same issue about where to place overset text. 
 

The drawbacks for this solution included that it would require using nine calendars (three two-page spreads for each age group, for a total of 18 pages). It would also create an issue about how the calendars would not be able to open out without first tearing through or removing the staples that kept the entire document together—not entirely the most user friendly solution. And, again, there would be the additional costs for paper sizes, quantities, printing, and bindery services.
 

Prototype variations 4 & 5: 16 and 20 page versions, both using the same program list and calendar solutions.

PROTOTYPE 4 & 5: 
Back to the drawing board once again, I took another crack at my original 8.5x11 inch format, this time using a newly considered content strategy for displaying programs. The program text list would now be used only for displaying regularly scheduled, recurring monthly events, but this time without the burden of including program descriptions. The calendars would be used for only displaying non-recurring monthly events, also referred to as “special events.” This is the way our library system previously separated and identified program events from each other on monthly calendars a few years earlier, so I was fairly assured that there would be buy-in from the programming staff. The gamble was in not including complete program descriptions, but I was fairly confident that my previous prototypes had already demonstrated the materials logistics and budget-busting results including full descriptions would create, thereby paving the way for buy-in on that decision as well.

Separating recurring events from the monthly calendars allowed the calendar formats to be held to one per page each, rather than two or more pages. Removing complete program descriptions from the text lists allowed repetitive listings to be whittled down to two thirds of a single page. Remarkably, the combination of solutions held each of the age group listings plus their respective calendars to four pages each for a total of 12 pages
combined. This equaled the same number of pages as our existing newsletter.

With four more pages, we could add a front and back cover (kind of essential) to highlight the biggest events (with space for images even!). And, on the front/back inside covers we could provide space dedicated to essential indicia, library branch contact information (both requested in the design brief), and even a branch locator map. The remaining page could be used for either one news article or a few very short news briefs. With this minimal allocation of non-calendar and event listing pages, nobody could argue that it was a “newsletter” (with actual news!) when the bulk of it was undeniably a “program guide.” I would consider this 16-page solution a “bare bones” approach to the newsletter—err, now program guide.


But call me crazy. From a marketing standpoint, I consider this publication
however you want to refer to itthe single-most viable and economically produced printed opportunity to market the entire library district beyond simply listing program after program after program. There is so much more—dare I say, newsthat could be provided and promoted to the public about what takes place among 12 libraries during any three-month stretch than only program names and associated dates, times, locations, age groups, and descriptions.

So, daring to push my assertion even minimally forward, I added an option for an additional four pages with the intention of having them be dedicated to non-program information, which brought the previous 16-page prototype concept up to a total of 20 pages. In this version, I proposed taking advantage of the library's rarely leveraged library mission statement: “to participate, connect and discover.” I used one of these words as the heading on three separate news brief pages to promote library awareness, library services, and library partnerships or collaborations with outside organizations that share the library’s endeavours to benefit the community it serves.

One of these mission statement pages took the place of the “News” named briefs page from the 16-page prototype, while the fourth remaining page provided informational coverage for the library’s digital “eSources” information and reference services, allocating twice the amount of text space than what the existing newsletter provided on the same topic.

The intent of these four additional pages was to allow the library to inform patrons about relevant news, issues, opportunities, services, and other information that was not directly part of program events. This information might otherwise go completely unreported or unnoticed unless the library sufficiently provided it elsewhere in other documents or website blog posts. The opportunity for these disparate bits and bytes information would become elevated, however, when bundled together with other information that patrons might be first drawn to—the same of which could be said about the benefit of discovering event calendars and listings, if reading news was the initial incentive to pick up the promotional publication.


Unfortunately, my inspired 20-page vision was rejected due to the committee's lack of interest in providing news and a preference for spending as little money as possible. And, despite a back cover design that took advantage of prime visual space to colourfully promote nine programs separated equally by age groups, it was surprisingly negotiated out to make room for a full page filled with more text about....wait for it...program news! With margin-to-margin verbosity anticipated due to the lack of adequate space elsewhere, I was assured that the visual people among us would be left to only dream of seeing a sliver of space left for one or two less-than-postage stamp size images to draw a hint of colour and attention to an otherwise sea of gray-matter that would inevitably be shoehorned onto the page.

As I mentioned in the beginning of this article, however, nobody walks away from design-by-committee projects with everything they want. This solution would result in an increased budget requirement, complete program descriptions being left out, library district news to be reduced to a single article and/or few briefs, the tiniest granules of non-programming highlights to be eliminated in their entirety, all opportunities for photography and artwork except the cover to be reduced to a few colour bands and postage-stamp size images, and an opportunity for the library's rarely seen mission statement left to remain publicly whispered elsewhere, if at all. On the plus side, what it did do was to provide adequate solutions to roughly five of the seven items on the committee's initial wish list (the eighth was contradictory to itself, so excluded as a design directive), andmost importantlymake visible nine monthly program calendars separated by age groups, which was really what was wanted above all else.

Despite whatever successes it may have or receive in the future, this program guide (now definitely not a newsletter) still won’t have everything that everyone wanted either...and rest assured, in time it too will be redesigned once interests sufficiently evolve enough to demand its next array of design solutions.

03 December 2015

Library Newsletter: THINK... Winter 2015-16 Issue

The library’s free, 12-page winter edition of THINK... newsletter arrived in December. The issue covers quarterly news and over 800 scheduled events from December through February. A printed edition of 2,800 copies was delivered not only to all twelve library branch locations but also to select non-library businesses to extend its reach further into the community. Online copies are also available on the library’s website at www.aclib.us/news. 

Development of the newsletter begins with library staff entering their planned quarterly events into the library’s electronic calendar system during a 30-day period prior to beginning the editorial production process, which in turn takes an additional 30 days of production prior to delivery of the publication to the public. Printing services are outsourced to a local printer, taking five to seven days before receipt of the printed product back to the design department for separating and shipping different quantities to the 12 district libraries and local businesses.

Events published in the newsletter are the same as seen on the library’s website calendar of events. Due to limited space in the newsletter, complete descriptive information about the events are not published, however, those details remain available on the online branch calendars.

Project collaterals created in association with publication of THINK... include (+ quantities):

12-page print edition (2800)
Library website digital edition (1)
Library website blog icon (1)
Television broadcast public service announcement advertisement (1)


04 June 2014

Two Winning Library Marketing Design Entries at the American Library Association 2014 PR Xchange Awards

Cover of winning THINK... newsletter / program guide / calendar of events.

Congratulations !

In May I was notified that I received two 2014 National PR Xchange Best of Show Awards from the Library Leadership Administration and Management Association's Public Relations and Marketing Section of the American Library Association. The winning entries were for a brochure titled "Things With Wings" and for the electronic version of our library newsletter, THINK... which is delivered as both print and online products. 

The official categories for these two winning entries are identified as:
Bibliographies / Booklists / Materials Promoting Collections - print category: 
Things With Wings Booklist Brochure,” $6 - $20 million budget category
and 
Calendars of Events / Newsletters - electronic category:
THINK... Spring 2013  Newsletter & Program Guide,” $6 - $20 million budget category 

Considering there were 345 entries submitted by both public and private libraries nationwide and that contest committee chairs typically have entries judged by a panel of design, marketing communications and public relations professionals rather than librarians, it is an honor to be recognized for the design work I do on behalf of the library district I serve in Alachua County, Florida. A link to the winning issue (and other issues) of THINK... newsletter can be found here: http://www.aclib.us/think-archive .

Winning entries will be on display June 29, from 11:00am-1:30pm at the PR Xchange event which is part of the American Library Association annual conference, this year being held in Las Vegas. And, although I won't be personally in attendance, award certificates will be presented during the Best of Show Ceremony that same Sunday. The event provides an opportunity for visitors to browse through, be inspired by, and take home publicity materials offered by libraries around the country.

The annual Best of Show at PR Xchange recognizes the very best public relations materials produced by libraries in the past year. Entries will be evaluated based on content, originality, and design by a team of experts in public relations, graphic design, communications, and marketing who select the winner(s) in each category. The Best of Show Awards are sponsored by the Library Leadership Administration and Management Association's Public Relations and Marketing Section and are overseen by the PR XChange Committee. More information about the PR Xchange can be read here: http://www.ala.org/llama/awards/prxchange_bestofshow

Images of the 2014 Best of Show winning entries are located online at: https://www.flickr.com/photos/97060948@N06/ . Winning entries for 2013 are posted at https://www.flickr.com/photos/97060948@N06/sets/ (of which I had one winning entry that year as well).

Brochure exterior cover and interior panel views (placed on tan background for better viewing of dimensions).


02 January 2013

Marketing Designs for Black History Month 2013 Library Events

The final design concept blended a variety of visual images together
and gave greater prominence to the title size.

I began developing visual concepts for our library district's Black History Month event publicity in early November. Many of our library branches hold a variety of different Black History Month related events throughout the month of February, so instead of creating a completely unique design concept for some of those events, I prefer instead to create and establish a central design theme that different event programs can utilize elements from, either entirely or in part. This helps to reduce my work load while at the same time providing recognizable uniformity from one event to the next for the district's celebration as a whole.

The Association for the Study of African American Life and History (ASALH), headquartered in Washington, D.C., sets the annual national theme for Black History Month. The association's mission is to promote, research, preserve, interpret and disseminate information about Black life, history and culture to the global community. You can read more about the 2013 theme from the following links: 
http://www.asalh.net/docs/2013ExecutiveSummary.pdf 
http://www.asalh.org/blackhistorythemes.html 
http://www.asalh.org/docs/2013%20Theme%20At%20the%20Crossroads%20of%20Freedom%20and%20Equality.pdf

Initial design concept emphasized the flag's 50 stars
marching to Washington D.C.
The ASALH set the 2013 theme title as: "At the Crossroads of Freedom & Equality: The Emancipation Proclamation & The March on Washington." While the historical aspects are greatly interesting and important, the title itself was quite a mouthful both verbally and visually. Nevertheless, that was the basis for my design concept, and I moved forward with seeing how I could find visuals that encapsulated that message.

I first sourced for images that would support the theme, primarily looking for images of the Emancipation Proclamation, photos of people marching on Washington, D.C., maps, flags, and chains. I also knew that I would have to apply whatever my design theme would become to one specific library event that would highlight dancing, so I also sourced for vector clip art of dancers.

The broadcast PSA variation.
My first concept direction was to remake an American flag image by inserting an American map where the white stripes would normally be and a blue-toned detail of an Emancipation Proclamation illustration where the stars would normally be. I wanted the 50 stars to be in the process of relocating from their usual position to flow along two of the red stripes--as if marching--toward a portion of the exposed map that showed Washington, D.C. I then reversed out the theme title in a few of the remaining red stripes, but after seeing how small the wording was to the overall design, I decided I needed to move in a different direction that would give more prominence to the title.

This sign for a related dance event shows
how the general design visuals were
applied to create a new image but still relate
to the established general design theme.
On my second design concept, I used an image of the Emancipation Proclamation illustration in the background and wanted to create a road image with striped, dashed highway lines that ended as arrows pointing to a detail portion of a map showing Washington, D.C. Clever alert: once I had the white dashed lines placed over top of the black roads, the remaining visual space on the road surrounding the white dashed lines reminded me of a chain shape, so I modified the elements to include the gray "links" of a chain around the white dash marks to give an even more symbolic meaning to the road to Washington, D.C. 

At this point I still had my roads orientated in the shape of a "+" and needed to find a place for the title. I first tried to split portions of the title above and below the illustration, but when I did the text seemed too far removed from each other, so I decided to change the orientation of my "+" road intersection to become an "x" orientation instead, and lay an additional horizontal black band across the middle of the intersection to insert the title into. Having the title more centered within the illustration worked much better for me and, in an ironic twist, also provided an additional subtle similarity to the design of a Confederate flag.

Web page banner.
Projects included:
General quarter page handbills
350 General 8.5x11 inch flyer
1 General television PSA
1 General celebration webslide
1 General celebration blog icon
1 General newspaper print ad

Blog icon.
250 Dance event quarter page handbills
1 Dance event 11x17 inch poster
1 Dance event television PSA
1 Dance event newspaper print ad

21 June 2012

Library Summer Reading 2012 Marketing Designs

Upper left: 8.5x11 inch web ad + two similar smaller web ad and
web banner. Far right: two print ads.
Center and lower and left: one PSA, two print ads, and one web ad.
.
The Summer Reading Program is the Collaborative Summer Library Program's (www.cslpreads.org) annual effort to encourage people of all ages. They break the effort down into three age groups that have their own themed application. For example, this year's Summer Reading for kids was: Dream Big. For teens, it was Own the Night. And for adults, it was Between the Covers. 


To help publicize this, the organization provides art and a couple of pre-formatted marketing items for each age group, such as a bookmark and an 8.5x11 inch sign. Space is left on each item for local libraries to add their own language. Unfortunately it might not be adequate space for each library's needs. 


Our library happens to be one of those libraries that applies a design across multiple channels of publicity, such as print, online, and television. Each of these applications has its own dimensional requirements that do not perfectly match what the providing organization offers, so I have to create everything we need from scratch, and incorporate some of the art provided to maintain a consistent style to each age set. 


Unfortunately, due to a variety of factors, consistency doesn't always happen in every case. Here is how we approached it, however, using a few different styles for Kids, and a more unified style for Teens and Adults.

Punch card front/back, bookmark front/back, two web banner ads, and one PSA.

Summer Reading for Kids
Utilized the background of the Adult program enlarged to crop out the images of Frankenstein and Scarlet O'Hara from Gone With The Wind so that there would be enough open room to place a calendar listing of all the summer events. The listing included additional art of the event performers. Another set of ads used the black and white clip art, extending the black sky portion to create room for additional language. Used full colour clip art gator and flying space bat along with a in-house supplied night sky for background. 


Top two panels: the Concept.
Bottom two panels: the Completion.
Summer Reading for Teens
Utilized supplied clip art of silhouetted crowd shot and theme logo "Own The Night." Text utilized colours from the crowd. An additional in-house supplied art element--the colourful circle background--was used to extend the style to areas that needed a background and/or complementary accents.

Summer Events for Teens
One branch wanted to promote two kinds of summer events: some that were and some that were not directly related to the summer reading program. The thinking was that teens sometimes shied away from "being directed" to attend organized reading program events and might be more inclined to attend them if they didn't appear to be part of results oriented mandate. The librarian requested the events all be packaged together in brochure form and even went as far as to lay it out how she wanted it to look. She incorporated a couple of the art images provided by the organization and was very particular about what she wanted it to say and where it should be located on the page--to the degree that I wasn't sure if she simply wanted me to print it as is, or to redesign it. I checked to clarify, and she was open to me redeveloping it for her, so I went to work interpreting her event placement and organization, then finding ways that new visuals could enhance the document and still utilize artwork that was consistent with other Teen Summer Reading collaterals. Wary that she might think I toyed with her design too much and prefer her own, I sent a four page proof to her that first showed her design, then my own, for immediate comparative visual impact. She emailed back to approve my design and added a nice note:

"Thank you so much for saving me from myself by re-designing this brochure. The brochure reflects the effort we put into programming here and the respect we have for our teens.  Thanks to you...for your patience and for sticking to your professional standards."


Top: a long online banner ad. Left: an 8.5x11 inch wall sign.
Middle right: a television PSA. Bottom right: an online banner.
Summer Reading for Adults 
Everyone at our library agreed: the artwork provided for adults was horrid. It was cartoon clip art of a bed being shared by Frankenstein and Scarlet O'Hara from Gone With The Wind.--both reading a book of each other's story. I sourced for a more sophisticated image and settled on an opened book shown from the side closest to a reader when laying on its opened cover. The program title "Between The Covers" was provocative, so I wanted the image to have a hint of it as well. Fortunately, I have Freud to thank for absolving me of any illicit wrong-doing, because after all, no matter how it is displayed, sometimes "a book is just a book."